Spray paint stylists from Detroit, Brooklyn, Boston, Chicago, Memphis and Denver are turning blank walls into splashy, flashy street art.
They're participants in the first BLKOUT Walls Murals Festival, a seven-day event that starts Saturday in the city's North End neighborhood and part of the nearby New Center area.
Organizers and sponsors hope to plant "the seed of an arts-based economic development, or creative economy, within the North End community," a description says. "The quality and number of murals would be a powerful magnet to draw visitors to that area during the festival and give them a reason to return."
It's the brainstorm of Sydney G. James of Detroit (see videos below), Thomas “Detour” Evans of Denver and Max Sansing of Chicago, three of the 19 artists who'll enliven stone and brick "canvases" on commercial buildings -- an enhancement welcomed by the owners.
Spectators can watch works in progress along Oakland Avenue between Owen Street and East Grand Boulevard, plus Bethune Avenue and other side streets. James' mural, done in tandem with Rick Williams of Detroit, is near Smith Street.
As of now, this will be Detroit's only 2021 street art festival. Murals in the Market, which ran in Eastern Market from 2015-19, hasn't announced a post-Covid return.
Detroiters who'll be on scaffolds and industrial lifts from this weekend through next week include Bakpak Durden, a 2019 Murals in the Market muralist, and Tylonn Sawyer, who painted an Eastern Market wall in 2017.
Other hometown artists participating are Ijania Cortez, Tony Whlgn, Phil Simpson and Matt ("Ghostbeard") Hutton. Rob "ProBlak" Gibbs is coming from Boston, as is Sneha "Imagine" Shrestha, a Nepali artist.
A free panel discussion with six artists next Tuesday (July 27) at 7 p.m. in Red Door Digital, a commercial printer at 7500 Oakland Ave.
Three workshops for Detroit Area Pre-College Engineering Program students
A closing day block party from noon to 6 p.m. on July 31 at the Chroma Building, 2937 E. Grand Blvd. -- which James enlivened last September with a nine-story mural titled "The Girl with the D Earring."
Notably, the local and visiting artists are compensated -- in contrast to most mural festivals, "where there is no remuneration for the participating artists and where there is limited racial diversity among the artists represented," organizers post.
Painters get a fee, lodging, meals and transportation. "This payment is essential to assuring that the benefits of the creative economy also include the muralists themselves," the website says.
That fairness is enabled by sponsors who include the Knight Foundation, Kresge Foundation, Ford Foundation, Vans footwear, the Detroit Pistons and Montana Cans spray paint.
Seventy-five percent of the participating muralists and event producers are Black and/or people of color, mirroring the demographics of the city of Detroit and thereby creating a cohort of artists representing equity and inclusion.
The setting also is purposeful.
The North End neighborhood of Detroit is surrounded by areas of pronounced prosperity, including the Boston Edison community directly to the west and the Midtown district directly to the south. The Boston Edison community is an area that represents high-end housing and residential stability. The Midtown district represents both extensive gentrification and commercial viability.
The North End area has not reaped the benefit of being adjacent to these two urban success stories. Having the BLKOUT Walls Mural Festival in the North End community would be the impetus to ignite interest in the area as both a residential and commercial destination.
One-minute preview videos: